Tie And Jeans

Encapsulation Injection Simulation

In a rare fit of great planning, I married an exceptional history teacher before I fell into #MakerEd. Over years of conversations, we’ve brainstormed dozens of different places where MakerEd can support/augment/extend history as an academic discipline experienced by students.

We’ve also developed a loose framework to categorize and discuss about those experiences, more as a personal shorthand than a desire to compete with SAMR, RAT or other “explain the world” acronyms. I generalize from this framework, but it’s also very tied to the specifics of 6–12 single subject history.

This isn’t a hierarchical system. I’m also going to try to use phrases like “traditional classroom learning” as neutral. Wish me luck.

Encapsulation, Injection, Simulation

Encapsulation covers any instance where the making wraps around a chunk traditional classroom learning. Students are making/building something that serves as a platform for them to present curricular content they’ve acquired.
Encapsulation is incredibly useful and versatile. Many making experiences are pretty neutral, so they’re not tied to a particular subject or concept. They also fit easily into teacher’s planning model, normally slotting in to replace some other form of summative assessment project. Susan’s great Lilypad-powered “speaking quilt” has nice resonance with us history, but is just as applicable in a math or science course. At the most basic level, an encapsulated MakerEd provides a new creative platform for students to present their academic learning.

We’ve been using injection to refer to maker experiences that don’t directly replace some part of the traditional classroom learning cycle (pre-assess, research, content delivery, formative/summative assessment). When trying to develop an injection project for history, I start by asking questions about the tools and materials. What T&M that were part of everyday lived experience in that culture? Which new or developing T&M had a dramatic effect on that experience? In nerdy, non-academic terms, I’m often simplifying actual history to Civ terms. What’s step on the tech tree enabled this cultural moment or eliminated it? For colonial history, I’m a huge fan of building some fires to explore cooking techniques with open ovens. More broadly, I want students to make something from or closely analogous to a period tool.
These projects don’t provide good opportunities for assessing the content knowledge of individual students. Instead, they do provide a robust skeleton on which students can hang their developing knowledge. In terms of classroom routine, I’m not sure there’s a better anchor and timer for a history discussion than sitting around an outdoor brick fire waiting for tea water to boil in an iron kettle. In terms of classroom time and instructional minutes, injection projects cost more. I view that cost as an investment in deeper, more lasting student understanding and connection to the material, but I admit that’s primarily belief.

We call the last category simulation, and it covers all experiences where students spend extended time trying to “live” inside the content in some way. History has a well established tradition of simulation exercises, and making/technology offers easy ways to extend those. Classroom simulations of the Constitutional convention become far more involving if all students are RP-ing particular delegates on a social media platform (our 7th grade teachers called it WhigBook last year) for the multi-week duration. For history simulations, the thing students are “making” is a compelling portrayal of an individual in a particular historical moment. There’s similar opportunities for other content areas, from predator/prey systems or fanfic extensions of literature. I think there’s an argument to be made that many challenge/experiment projects (hair-dryer cars, water bottle rockets) are essentially simulations. The made project is nice, but we’re really asking kids to inhabit the role of engineer/designer for a few weeks. History can add in CS by moving the simulation into a MOO/MUSH, where students are both creating the environment and RP-ing the personalities. I guess you could even use SecondLife, but I don’t think I’m alone in thinking that even a text only MUSH looks less dated than SecondLife.

Again, these are informal, conversational, non-hierarchical categories.

When specifically talking about history, Jodi posits another category of intellectual experience that I haven’t been able to directly pull back to the physical world. She refers to this as abstraction, where students can evaluate principles/values/beliefs from one cultural period through the lens of another. In general, I want a making experience to set a goal that unavoidably routes students through the thick mud of research, cognition, and reflection. I haven’t found a generalizable idea for physical things that “force” kids to engage in that abstraction. My closest thought experiment is modifying Heather’s monument project and have students create two monuments for different “sides” of a historical event, or create a monument and the accompanying protest. Ugh. I’m not even happy with those basic examples.

While this year I’ve been planning through transdisciplinary themes, Encapsulation, Injection, Simulation was my framework when planning MakerEd (and tech!) integration in years past. If a teacher wanted MakerEd to fit into a specific academic unit, I almost always went with encapsulation. That way I could bring a different experience to students, provide the teacher with the opportunity to watch students learning through the design cycle, and hopefully generate some nice artifacts. Without that specific curricular tie, I could look for an injection project, knowing that I could work with the teacher to trim some content requirements and devise observation/assessment protocols.

Advertisements

Single Post Navigation

One thought on “Encapsulation Injection Simulation

  1. I’ve had some luck with “historical skill-set” programs in our Design Lab, where I’ve taught kids to spin wool, knit, and build looms and lucets, so that they get a complete overview of the making of string, yarn, and cloth (including making their own drop spindles and knitting needles, and dyeing some of their yarn, so there’s a chemistry and a carpentry component too); and a parent has assisted in this by launching a “wood-cut, paper-making, print-making, and bookbinding” program, which follows a similar trajectory.

    There’s benefit, I think, to running these kinds of programs, because it teaches kids how real-world items are made from raw-ish materials; but also it walks them through one (or a few) product(s) from beginning to end. Thus they learn that the content can be different, but that the context is governed by certain elements inherent in the process (you can make larger books, but then you need a larger frame for making the paper; you can make more complex ‘cloth’, but then you need a wider loom).

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: